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HK Visuals Powergrade for DaVinci Resolve, product pack

HK Powergrade

The node tree behind my grades, ready for your footage in DaVinci Resolve.

€59

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Rider on a motorcycle at dusk, ungradedThe same frame, graded with the Powergrade
Motorcycle parked beside a mountain road, ungradedThe same frame, graded with the Powergrade
River through a winter forest, ungradedThe same frame, graded with the Powergrade
Airliner against the sky, ungradedThe same frame, graded with the Powergrade
Dry grass on a hilltop, ungradedThe same frame, graded with the Powergrade

Four files in the download.

The same Powergrade built three ways, and a document that walks through the whole tree, node by node.

Not a LUT. The whole tree.

A LUT bakes one look into your footage. A Powergrade hands you every node that built it.

Every adjustment on its own node.

Exposure, saturation, highlights, shadows, grain. Each has a node of its own, so you move one and the rest of the grade holds.

Color space transform set to Sony S-Gamut3 and S-Log3, beside the graded shot
Sony S-Gamut3, S-Log3 into DaVinci Wide Gamut.
Color space transform set to Apple Log 2, beside the graded shot
Apple Log 2 into DaVinci Wide Gamut.
Color space transform set to Blackmagic Design Film Gen 5, beside the graded shot
Blackmagic Design Film Gen 5 into DaVinci Wide Gamut.

Any camera goes in.

The tree opens with a color space transform. Tell it what you shot on and every node after it behaves the same.

One tree. Different looks.

The last nodes are the creative ones: look, halation, grain, glow. Change them and the same shot becomes a different film.

The creative end of the node tree in DaVinci Resolve: highlights, shadows, look, halation, grain, glow and the final transform
Log Straight from the camera
White horse and carriages in a square, flat log image
The same frame with the Kodak look
Kodak Film look
The same frame in Rec.709
Rec.709 Clean base
The same frame with the Fujifilm look
Fujifilm Film look

What buyers say.

Sample reviews, for layout only

“I stopped stacking LUTs. I set the camera and I am grading in a minute.”
Marta Ibarrola Freelance editor
“The guide alone is worth it. Now I know why each node is there.”
Dário Fonseca Director of photography
“A whole trip shot on an iPhone, and it cut next to the FX3 footage.”
Ilse Brandt Travel filmmaker

Put it on your footage.

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